云播资源
剧情介绍
Two differences between this Austrian version and the generally available American version are imm Two differences between this Austrian version and the generally available American version are immediately obvious: they differ both in their length and in the language of the intertitles. The American version is only 1,883 metres long - at 18 frames per second a difference of some 7 minutes to the Austrian version with 2,045 metres. Whereas we originally presumed only a negligible difference, resulting from the varying length of the intertitles, a direct comparison has nevertheless shown that the Austrian version differs from the American version both in the montage and in the duration of individual scenes. Yet how could it happen that the later regional distribution of a canonical US silent film was longer than the "original version"? The prevalent American version of Blind Husbands does not correspond to the version shown at the premiere of 1919. This little-known fact was already published by Richard Koszarski in 1983. The film was re-released by Universal Pictures in 1924, in a version that was 1,365 feet (416 metres) shorter. At 18 frames per second, this amounts to a time difference of 20 minutes! "Titles were altered, snippets of action removed and at least one major scene taken out entirely, where von Steuben and Margaret visit a small local chapel." (Koszarski) From the present state of research we can assume that all the known American copies of the film derive from this shortened re-release version, a copy of which Universal donated to the Museum of Modern Art in 1941. According to Koszarski the original negative of the film was destroyed sometime between 1956 and 1961 and has therefore been irretrievably lost. This information casts an interesting light on the Austrian version, which can be dated to the period between the summer of 1921 and the winter of 1922. Furthermore, the copy is some 200 metres longer than the US version of 1924. If one follows the details given by Richard Koszarski and Arthur Lennig, this means that, as far as both its date and its length are concerned, the Austrian version lies almost exactly in the middle between the (lost) version shown at the premiere and the re-released one.A large part of the additional length of the film can be traced to cuts that were made to the 1924 version in almost every shot. Koszarski describes how the beginning and the end of scenes were trimmed, in order to "speed up" the film. However, more exciting was the discovery that the Austrian version contains shots that are missing in the American one - shots/countershots, intertitles - and furthermore shows differences in its montage (i.e. the placing of the individual shots within a sequence). All this indicates that Die Rache der Berge constitutes the oldest and most completely preserved material of the film.详情
猜你喜欢
- HD中字
网走番外地：大雪原的对决
高仓健,吉田辉雄,田中邦卫,上田吉二郎,岚宽寿郎,砂塚秀夫,内田良平,小松方正
- HD中字
网走番外地：暴风雪中的斗争
高仓健,山本麟一,谷隼人,宫园纯子,中谷一郎,相马刚三,菅原文太,石桥莲司,关山耕司,小林稔侍,八名信夫,梅宫辰夫,安藤升
- HD中字
网走番外地：决斗零下30度
高仓健,岚宽寿郎,田中邦卫,丹波哲郎,大原丽子,三原叶子,相马刚三,安部彻,田崎润,吉田辉雄,八名信夫
- HD中字
网走番外地：挑战邪恶
高仓健,岚宽寿郎,田中邦卫,小林稔侍,田崎润,曾根晴美,川津祐介,砂塚秀夫,三原叶子,小松方正,谷隼人,植田峻,真理明美,前田吟,石桥莲司
- HD中字
网走番外地：南国的对决
高仓健,千叶真一,吉田辉雄,三原叶子,田中邦卫,岚宽寿郎,谷隼人,河津清三郎
- HD中字
网走番外地：荒野的对决
高仓健,三原叶子,田崎润,杉浦直树,河津清三郎,待田京介,由利彻,岚宽寿郎,田中邦卫
- HD中字
新网走番外地：暴风雪中迷失狼
高仓健,若山富三郎,冈田真澄,June,Adams,谷隼人,南利明,山本麟一,今井健二,渡边笃史
影片评论
扫码用手机观看
分享到朋友圈
