云播资源
剧情介绍
Whenever I see La Paura I think of it as a companion piece to Eyes Wide Shut, or maybe it is the o Whenever I see La Paura I think of it as a companion piece to Eyes Wide Shut, or maybe it is the other way around. Adultery makes both films tick but in different ways. I think Phillip French was right on the money when he pointed out a Wizard of Oz thing in Kubrick's last work. Like Dorothy, Tom and Nicole go through fantasies and nightmares and at the end Dorothy's reassuring childish motto "there's no place like home" is ironically updated to the adult circumstantial adage "there's no sex like marital sex". Kubrick's take is intellectual, he never leaves the world of ideas to touch the ground. He taunts the audience first with an erotic movie and then with a thriller and refuses to deliver either of them. He was married to his third wife for 40 years, until he died. Rossellini was still married to Ingrid Bergman when he directed La Paura; they had been adulterous lovers and their infidelity widely criticized La Paura is a tale, a noirish one. The noir intrigue is solved and the tale has a happy ending. The city is noir; the country is tale, the territory where childhood is possible. The transition is operated in the most regular way: by car, a long-held shot taken from the front of the car as it rides into the road, as if we were entering a different dimension. Irene (Bergman) starts the movie: we just see a dark city landscape but her voice-over narration tells us of her angst and informs us that the story is a flashback, hers. Bergman's been cheating on her husband. At first guilt is just psychological torture but soon expands into economic blackmail and then grows into something else. From beginning to end the movie focuses on what Bergman feels, every other character is there to make her feel something. Only when the director gives away the plot before the main character can find out does he want us to feel something Bergman still can't. When she finds out, we have already experienced the warped mechanics of the situation and we may focus once again on the emotional impact it has on Bergman's Irene. In La Paura treasons are not imagined but real, nightmares are deliberate and the couple's venom suppurates in bitter ways. Needless to say, Ingrid has another of her rough rides in the movies but Rossellini doesn't dare put her away as he did in Europa 51, nor does he abandon her to the inscrutable impassivity of nature (Stromboli). His gift is less transcendent and fragile than the conclusion of Viaggio in Italia. He just gives his wife as much of a fairy tale ending as a real woman can have, a human landscape where she can finally feel at home. Back to the country, a half lit interior scene where shadows suggest the comfort of sleep. After all, it's the "fairy godmother" who speaks the last words in the movie.详情
猜你喜欢
- HD中字
网走番外地：大雪原的对决
高仓健,吉田辉雄,田中邦卫,上田吉二郎,岚宽寿郎,砂塚秀夫,内田良平,小松方正
- HD中字
网走番外地：暴风雪中的斗争
高仓健,山本麟一,谷隼人,宫园纯子,中谷一郎,相马刚三,菅原文太,石桥莲司,关山耕司,小林稔侍,八名信夫,梅宫辰夫,安藤升
- HD中字
网走番外地：决斗零下30度
高仓健,岚宽寿郎,田中邦卫,丹波哲郎,大原丽子,三原叶子,相马刚三,安部彻,田崎润,吉田辉雄,八名信夫
- HD中字
网走番外地：挑战邪恶
高仓健,岚宽寿郎,田中邦卫,小林稔侍,田崎润,曾根晴美,川津祐介,砂塚秀夫,三原叶子,小松方正,谷隼人,植田峻,真理明美,前田吟,石桥莲司
- HD中字
网走番外地：南国的对决
高仓健,千叶真一,吉田辉雄,三原叶子,田中邦卫,岚宽寿郎,谷隼人,河津清三郎
- HD中字
网走番外地：荒野的对决
高仓健,三原叶子,田崎润,杉浦直树,河津清三郎,待田京介,由利彻,岚宽寿郎,田中邦卫
- HD中字
新网走番外地：暴风雪中迷失狼
高仓健,若山富三郎,冈田真澄,June,Adams,谷隼人,南利明,山本麟一,今井健二,渡边笃史
影片评论
扫码用手机观看
分享到朋友圈
